Aus / Out Dann / Then Dinge / Things Film Gedreht / Turned Gleich / Same Kommen / Coming Kommerziell / Commercial Menge / Lot Nieder / Down Sie / You Sogenannt / So-Called Wollen / Want Wurden / Were
A movie, it's like a very complicated timepiece. There's a lot of wheels in a watch. And some of those wheels, if they don't turn right, then, you know, the watch ain't gonna tell the time.
When you're told that as a filmmaker of colour, the stories you want to tell aren't commercial enough, then you start thinking, 'I'm going to tell them anyway.'
I don't do anything on stage that allows me to become a trained seal, where you're just doing the same thing over and over.
The last thing we would want is for our fans to feel that we're trying to find the 17th opportunity to sell them the same song.
I have turned down a lot of money for things that would have made me feel cheesy.
I think that sometimes love gets in the way of itself - you know, love interrupts itself. We want things so much that we sabotage them.
You have to look out for becoming trapped in a place where people want to see you all the time doing one thing.
I used to watch the 'Jackie Gleason Show' and Phil Silvers, those early TV things. And a lot of them were patterned on the silent comedies of the '20s.
You have got to have an agent. It's a business. But I think there is a way to be artful and commercial at the same time.