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I was a window dresser for Burton's once. What really put me off was the area manager coming round and saying, Charles, I think you're a natch at this.
You can tell when someone is putting on a role. If someone really believes in what they're saying, it's quite hard to find cracks.
If you want to find out what a writer or a cartoonist really feels, look at his work. That's enough.
I didn't like fairy tales when I was younger. I found a lot of fairy tales scary. They really didn't sit well with me.
If something touches me, I cry. That's it. I'm a bit raw, a bit rubbish, really. Often, a director will say to me, 'I don't think this is a scene where your character cries.' And all I can say is, good luck with that!
To say how you would react if you were really storming the charts and had people running around after you... who's to say how any of us would deal with that.
When something really extreme happens, you have to find a way to embrace that and include it in how you think about the character. Sometimes it's not easy.
You will find that the woman who is really kind to dogs is always one who has failed to inspire sympathy in men.
As a writer, it's fun to create. And once you get into a long-running show with very established characters and a very established tone and format, after a while it's a really great job, but that's what it is - a job.