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The whole thing about acting, the draw for me, is the opportunity to do things you don't get to do in real life.
I don't think there is anything magical about the language of flowers in real life or in my book.
Anything in which you're playing someone real does make you feel responsible for making the story as true as it can be.
Well, there are conjoined twins in real life and we can tell a story about them so long as they're not the brunt of the jokes. In this, they're the heroes of this story; we love these guys.
In real life, I am trying to save the Steve Irwin wildlife preserve. It's in Australia, up on Cape York, and it's in danger of being strip-mined.
It would be really hard to get serious about anything political today unless it was a joke.
I don't want to write lines where characters tell me exactly how they feel; I want to see people talk about anything but their feelings, like they do in real life.
You wonder why I only talk about my personal life. But that's all I've ever done.
It's really good to be able to think about past loves without having a pit in my stomach, or cringing or feeling heart-broken, or like they hate you. Don't you think?
