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I wouldn't describe that 'position' as 'parasitic.' I'd describe that experience as 'edifying.' I don't merely write from a critical intellectual distance. I actually live around here.
It's always nice to be able to capture your life's experiences in a song and hold the emotion in that way.
A good painting to me has always been like a friend. It keeps me company, comforts and inspires.
I love my painting - it fills me with passion. But it's not something I expect anyone else to love.
My brands are an extension of me. They're close to me. It's not like running GM, where there's no emotional attachment.
As far as I am concerned the paint is the person. I want it to work for me just as flesh does.
I am, by nature, an honest person. I wear my emotions on my sleeve. There is no 'behind closed doors' with me.
Well, I wouldn't say that this experience had any influence on my decision to do this film about Andy, because Andy was apolitical. Andy was never political.
It can become an exercise in trying to get the reader to like and admire you instead of an exercise in creative art.
