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I think in order to have eternal life, you have to have a soul, and the soul of the show is that we all really did love each other. I think that really came across.
I think art teaches us how to feel, what our parameters can be, what sensations can be like; it makes you more engaged with life.
Look at Allen Ginsberg. In poems like 'Kaddish' and 'Howl,' you can hear a cantor between the lines. It's fully alive, and I think that's what's missing in modern poetry. It's too dry and cerebral.
I'm not altogether sure what I'm going to do for that. I think it will be a lot more low key than the other two I've done. Dare I say it, a bit more relaxing.
I love 'Jane Eyre,' and I love the Bronte sisters. I actually didn't read any of them until I was in college, so I don't have quite the same connection with them that I think a lot of women do.
I think once you're in the friend zone, I'm not sure how you get out. Well, actually, I do know how you get out. You act like the friend back. That's how you get out.
Now that I think about it, maybe my own literary exploration of the dark secrets held by families could be traced back to V.C. Andrews.
And I think maybe all women, if they just had a chance, would be romantic and believe in love and not sex. And men believe in sex and not love.
I want to play a character that is cold. I think there are sides of me that are like that. I'm a fan of the actor Edward Norton, and if you see his early works, he plays a lot of those roles.