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In 1962, we created the Filmmakers' Co-Op because nobody wanted to distribute our films. If we had the Internet in those days, we wouldn't have needed the Co-Op.
Audiences are smarter than ever; they know if filmmakers cheat an environment.
There's nothing more exciting than to watch a story break and grow, and to be the first one to present it to the world.
The real excitement and big deal for me started when I got cast in the first X-Men, which was sort of a fluke.
If education does not create a need for the best in life, then we are stuck in an undemocratic, rigid caste society.
I like the days when all the filmmakers had was a film roll, a camera and a gangster. The Mack Sennett comedies were all like that. They'd create little teams to go out and shoot films.
The best songwriting comes from being as creative as you can and editing it down to the good bits, essentially.
Find someone who is having a hard time, or is ill, or lonely, and do something for him or her.
You've got to believe as a filmmaker that if a movie's good enough, it's going to survive; and if it's not, well, it won't.
