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I've learned things about the craft of writing and about structuring a book and about character development and so on that I've just learned on the fly.
Sometimes as writers, we try and put narrative development above character development. We try to move our characters around like chess pieces that do our bidding. The problem with that is sometimes the characters do things they shouldn't do. Things that are inorganic.
Costume design is so important and really helpful, and I really love that aspect of character development, just figuring it out.
American writers reduce the length of time devoted to exposition and character development.
There've been many a season where I couldn't get work, and I think that you learn character development and you learn how to really want what you do in life when you can't really do it.
Most of my films have a lot of character development and exploration, whereas in most horror movies the characters are just cardboard.
'Longmire' is more of a show about the characters, and you couldn't pay a bigger compliment than to want to know more about my character, or the characters on the show.
When sex is necessary for the plot of a book, or a character development, then I don't shy away from it. Why should I?
Two things I do well in books are sex and violence, but I don't want gratuitous sex or violence. The sex and violence are only as graphic as need be. And never included unless it furthers the plot or character development.
