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Well, when you look at a lot of science fiction novels they're asking questions about power. There are questions about what it means to have power and what are the long-term consequences of power.
I have this theory about science fiction movies in that, when the space race sort of died, a lot of people sort of lost hope.
I think you can do science fiction, but you have to ground it in some realism. People need to identify with the characters, with their plights and their issues.
People are fascinated by space flight. It makes them interested in science, gets them asking questions and motivates them.
In the meantime, I just have to create those realistic goals about the fact that I don't have a ton of options as an actor who's been on a science fiction show for 8 years.
Lots of science fiction deals with distant times and places. Intrepid prospectors in the Asteroid Belt. Interstellar epics. Galactic empires. Trips to the remote past or future.
I've always thought of science fiction as being, at some level, a 19th-century business.
I'm an expert on the NewsHour and it isn't how I practice journalism. I am not involved in the story. I serve only as a reporter or someone asking questions. I am not the story.
A lot of people forget that the origin of science fiction in the U.S. was in the post-First World War period when there was a real interest to get people into technical careers.
