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But I've come to the point in my evolution on the instrument where I realize that I can't play the same stuff that just a guitar player or organ player would play - and I need to embrace that in a big way.
I don't know any guitar player, any of the real greats, who don't rate Joni Mitchell up there with the best of them.
I started doing up-and-down strumming, basically to keep time and to play fast. As time went on, I started realizing other guitar players couldn't do it. I always went against the grain.
I've always felt like my job is to protect my sister. Even growing up, on the playground, when my sister was too shy, I would speak for her... I even had dreams where I had to save her, growing up, all the time - like, she was falling, and I had to save her.
Buffalo Springfield had three guitar players, and we thought they were so cool. So we started doing the three-guitar thing, and people started calling us the 'guitar army' and all this stuff.
I didn't want to fall into the trap of competing with all these other great guitar players. I just want to sidestep the whole thing and get out of the race.
But I used to have a bit of a gambling problem. And that would have been the answer to my prayers. It got worse when I started playing this character, too.
I love doing the radio plays, creating a whole world with just the voice, and I'd love to be back on stage, too, at some point.
And they kind of left to find a guitar player at the very end, so you know, I don't really take it as any slight that I wasn't able to play on the record. It's flattering just to play with them period.