Bereit / Ready Dean Dean Martin Er / He Etwas / Something Mann / Man Martin McQueen Mögen / Like Robust / Rugged Sei ein Mann / Be A Man Sollte / Should Steht / Stands Steve Weg / Way Welt / World
When I played Dean Martin, he was dead when we made the movie but there would have been nothing better than to spend a week with Dean Martin if I could have.
Like Russell, I enjoy the fact that when I'm playing solo, if I want to do something completely spontaneous, I don't have to worry about how I'm going to cue the other musicians, or if it's something that's rehearsed.
From the very start of all of this, my mom has read the scripts first. And if she liked something, she let me read it. She told our agent what kinds of parts that we would want.
I don't hate work, composing is not work for me, it's my pleasure; it's my life. So why should I stop? If something is pleasurable and exciting and rewarding, why should one stop?
You really have to love every single bit of what you do. The moment that you do something that makes you feel queasy to your stomach, the company dies.
You can't play Batman in a serious, square-jawed, straight-ahead way without giving the audience the sense that there's something behind that mask waiting to get out, that he's a little crazed; he's strange.
I hate to let people down. I was like that in sports and I was like that in comedy. I was like that at work. When I worked General Motors and stuff like that, when I say something, I mean it.
Do I want to tackle a 230-pound guy who's running like a deer? Heavens no, no one in their right mind would. But there is something that drives me and compels me to stick my head in there and give it my best shot.
Not that I'm some rocker, but what I do in a show is probably far more aggressive than what Dean Martin or Bobby Darin ever did.
