Alles / Everything Aussehen / Look Beliebt / Popular Besonders / Particular Bisschen / Bit Daher / Hence Fast / Almost Fotografien / Photographs Hochzeit / Wedding Machen / Make Neigt / Tends Romantisch / Romantic Sentimental Tatsache / Fact Überreste / Remains Wahl / Choice
That sense of a life in natural objects, which in most poetry is but a rhetorical artifice, was, then, in Wordsworth the assertion of what was for him almost literal fact.
But reason always cuts a poor figure beside sentiment; the one being essentially restricted, like everything that is positive, while the other is infinite.
You do your work as a photographer and everything becomes past. Words are more like thoughts; the photographer's picture is always surrounded by a kind of romantic glamor - no matter what you do, and how you twist it.
Instead, it appears to be a particular mark of beauty that it is considered with tranquil satisfaction; that it pleases if we also do not possess it and we are still far removed from demanding to possess it.
Everything I put my name to and take part in, I want to be good. That's not saying it will always happen. But I want to make bold choices.
I've always felt that almost every part I've played has been a character part. I mean, I look at it that way. I can't help how I look or how I seem to people.
He took me under his wing when I first came to the Rams and taught me everything - his technique in the pass rush, how to play off blockers, and how to make the big play.
Back in the Seventies, we had a romantic, poetic vision of the future, like it was in the movie '2001: A Space Odyssey.' It felt as if everything was still ahead of us.
I've met a lot of artists who wanted to paint me. LeRoy Neiman was one. He did it from a photograph. He made 20,000 copies, and we sold them all.
