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It's a piece of cake until you get to the top. You find you can't stop playing the game the way you've always played it.
I don't take part in it the way I used to-the bimbos, the free beers, free drugs, all that. That's still there if you want it, but I don't really seek that out any more.
There are a few genetic traits that make people feel sorry for you, and there are some, like narcolepsy, at which people take personal offense unless you tell them in advance.
Being on tour really takes a toll, so you have to find ways to stay healthy.
The culture is just so coarse that you have to take it to that level and people will be like, 'Whoa!' And then you can make people think about stuff. It's kind of like shock therapy.
I've always been really attracted to playing with structure. To take the story of 'Fargo' and break it up in such a way that's it's not linear, per se.
Music is such an odd thing when you think about it - behind an image until you take it away, and then you realize a movie sounds blank without it.
But to be fair, if you take players from my era to now, the game has changed and the players have many more shots. They use them differently than we did. The speed of the game has changed.
A dead end can never be a one way street; you can always turn around and take another road.