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Daniel Day-Lewis is one of the greatest actors of our age; he's like Olivier. He's one of those people who can take you into a place where no one else can take you.
I was a very good tennis player in Ottawa, Canada - nationally ranked when I was, like, 13. Then I moved to Los Angeles when I was 15, and everyone in L.A. just killed me. I was pretty great in Canada. Not so much in Los Angeles.
What I look for in theater, I really like new work, and I really like the concept of age not necessarily being a defining aspect of who you are or how you act.
I love to get on tracks with brothers like Inspectah Deck, Masta Killa, the GZA. The whole crew is golden, man. When you think of us, you gotta say, 'Yo, these are the Jacksons of hip-hop.'
As a tennis player you can win and you can lose, and you have to be ready for both. I practised self-control as a kid. But as you get older they both - winning and losing - get easier.
You always believed that as good as you knew you were, there was always somebody who could take your place. I tried to work as hard as I could to make sure that didn't happen.
We hear about the Gershwins, the Kerns, and the Berlins, but there were some great little writers like Theodore Morse, Charles K. Harris, and Ernest R. Ball, who wrote 'Let the Rest of the World Go By.'
I have to tell you, I'm a great teacher. Ask anybody who worked for me, except some secretaries who weren't very good.
Then there are actors my age like Ethan Hawke, he's in 'Moby Dick,' I love his work. I've been lucky. Alfred Molina, he has real class.