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We probably, as primitive people, made music before we actually had a language, and that's where language comes from.
I actually got reprimanded by Stevie Nicks, who was like, 'You're sharing too much! You need to leave an air of mystery.'
I try to apply colors like words that shape poems, like notes that shape music.
There was always this idea that I would work on Shakespeare and some of the other classics, but it never came to be.
I never pushed to be a star. I didn't want to. I had my home, my family. Session work let you do the music and leave.
In the dance world, you have to have a certain muscular shape; you have to have long limbs and willowy shoulders. It's hard to have breasts.
I grew up in a time when being a musician and learning to be a musician was actually very wonderful.
I see music as one language. If one musical form eats its own tail, it dies. So it needs to be a mongrel, it needs to be hybridised.
Shakespeare's taught me that there are more words in the English language than I have got in my head.
