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I think that's what good writing is all about. You go into a genre to talk about other things. Tolkein created a whole world to talk about the world he lived in.
I've started working on a new album, I'm writing a new book... there are a lot of good things on the horizon.
The good thing about people underestimating models is that the bar is set so low, you tend to impress people more easily.
One of the good things about consulting is that you leave the writers' room for a couple of days, things progress, you come back, and you might have a fresher take.
Your basic person wants to talk about material culture, internet culture. I think about God, cats, nature.
You want to be the best, and you hear a lot of good things about yourself, and then you find out that you're going to debut as a caddy - it's a little gut-wrenching, and it hurt.
I want you, as a reader, to experience what I experience, to let that other world, that imaginary world that I have created, tell you things about the real world.
The cool thing about writing music, writing anything, is that once you publish it, it's there forever.
I think all good writing is a struggle. To write as well as you feel you can has to be a struggle, almost by definition, because you could always improve.
