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Mum put me in drama classes when I was about 14. I'd been going on about it for some time, so maybe it was a way to shut me up.
There is no 'perfect' in music. If I ever came off the stage and felt it could not be better, it would then be time to quit.
I would think a sense of the absurd is more important for a political cartoonist, because that could define things like a sense of hypocrisy or a sense of the things one has to be skeptical about.
But if you're going to go out on a military unit, you've got to allow yourself to be under the control of the commander because you really could put the troops in danger.
I was never a part of the Actor's Studio, because two friends of mine started it in 1947 and by that time I'd gone to California.
There was a second problem that was still not a technical problem... the project became classified. I couldn't work on it after having gone to all that trouble. I was considered a security risk, so I could not get a clearance.
But it's cool working with female directors because I'm a girl, so you do relate to them more. You can talk to them about other stuff like clothes and all that.
Partly because the town is just finicky, there are strange Catch 22 clauses in the consciousness of this community and one of them was that you, I found out, you can't do a comedy unless you've just done a comedy.
Cruelty is all out of ignorance. If you knew what was in store for you, you wouldn't hurt anybody, because whatever you do comes back much more forceful than you send it out.
