Alles / Everything Betrachten / Contemplate Das passiert / Happens Nehmen / Take Schnell / Fast Schwer / Hard Sitzen / Sit Welt / World Woher / Where Zeit / Time Zurück / Back
On the whole, when the unexpected danger happens to you, you're thinking so fast, you're thinking so hard, every bit of you is alive to 'What should I do?' 'What can I do?' There isn't a lot of time for contemplation.
I come from a theater background, so usually, at the start, you know what happens and where the character goes and everything. But with TV, it's really unpredictable.
Of course I want to have a family, but there's a right time for everything. When my time comes, it will happen.
If you think back to your time as a teenager, everything was dramatic.
I would say I'm 90 percent collaborative in everything I do, and 10 percent of the time I just make the call.
We have to do everything we can to try to create jobs and get people back to work.
I wrote... Neon Ballroom in that time where I hated music, really everything about it, I hated it.
No one gave a crap that I was the kid from 'Free Willy'. You're not in some wispy fantasyland where everyone's telling you 'yes' all the time, which happens a lot to actors.
I come to work on time. I focus on my job. I bust my scenes out and everything else kind of happens from there.
