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I think it will bring back discussion about Columbine. When Columbine happened it was the topic of the week, and we shouldn't have just moved on to something else. Whether people like the film or not, it's going to make them think about what happened.
If something comes along that's really good, and I think I would be good for it, I'd be happy to do it. But not too many came along. I mean, they came along for the first, I don't know, 15, 18 films, but I didn't do that many. But then I didn't want to do the kind of junk I was seeing.
I think great bosses hire great people. 'A' people hire 'A' people, but 'B' people hire 'C' people; they're worried they might be shown up... they're concerned that that person might make them look bad.
I think all movie love scenes are hard because you can't truly be as intimate as you would be with anyone you're truly with, and everyone's watching you.
So far things are going my way. I am known in the hospice as The Man Who Wouldn't Die. I don't know if this is true or not, but I think some people, not many, are starting to wonder why I'm still around.
I think anyone who makes products has this simultaneous joy and, almost, shame looking at it. You look at it all day, and all you can see is all these things you want to make better.
That's what I think is the neat thing about TV: how alive it is and how the writers respond to the stimulus that they're getting from the actual actors. Whereas a movie is more hermetically sealed.
I don't make movies because I think audiences will want to go see them.
People get married when they're 18 and spend their whole lives together. I think their greatest fear is that someone will see it as a fling because they were young and it didn't mean anything.