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I don't have to live the lives of my characters to write about them. It's about really putting yourself in their shoes.
I feel as if someone is going to come along, feel my collar and say: 'Do you really think you can get people to read books you've made up about people that don't exist?'
But I've really learned you don't have to fit in. No matter where you go, you're always going to be you and if they don't like you for who you are, then what's the point of being someone else?
I don't really ever think about whether or not I like the characters I'm playing. I'm more into the minutiae of their behaviour or what they're doing in a certain scene.
People are like, 'What's Game of Thrones about?' I'm like, 'It's in the title.' For real, this is a game for the Iron Throne. No matter what character you are, you're sucked into that at some point.
I said, 'Wouldn't it be great if Matt Damon's character fell in love with a girl with a real butt?' They were like, 'Yeah sure, sure - here's your personal trainer.'
There's one thing to say about John Boehner. He's a fighter. He does fight. And if there is somebody you want in the foxhole with you, it's going to be John Boehner.
Really, if you get to know pigs, they're very moody. They're not sweet little animals at all. That's what I like about them. They get depressed; they get into these snits. They're carnivorous.
I think that's what I really liked about Narc: My character has a real operatic range in a way that older movies used to have.