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I only take causes or write about things that I am passionate about, and I do it with a certain flair and a sort of wink and a nod.
To have a song work for the movie, it can't just be written apart and shoved in. It's got to come out of the action. It's got to talk about the characters, not the story: it has to augment that action.
The great and almost only comfort about being a woman is that one can always pretend to be more stupid than one is and no one is surprised.
At Current, television is all we do - that's our business. We don't have amusement parks I have to worry about, we don't have environmental cases against us, we don't have a series of outdoor-advertising companies.
I'm not writing just about melancholy stuff anymore, I made a point to cover a wide range of emotions.
I mean, in some cases with libel laws, you know, they can write things about people who have no course of action, because they can't afford to take legal action against them.
As a memoirist, I may claim to write the easier-to-remember things, but I could also just be writing to sweep them away. 'Don't bother me about my past,' I'll say, 'It's out in paperback now.'
Some writers confuse authenticity, which they ought always to aim at, with originality, which they should never bother about.
The unionists also for their part, want to minimise the potential for change, not only on the equality agenda but on the issues of sovereignty and ending the union.