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You have to sort of see the way that the character behaves, and what the character says and does, and claim it in the same way that you claim anything, really.
Few of the many wise apothegms which have been uttered have prevented a single foolish action.
It's gonna be a lot of zeroes in that contract. You gonna think it's alphabet soup or something, all those zeroes in there.
If you look back at my marathons and ask whether I would swap one of them for my one balls-up, of course I would. But you can't choose. You have to make the best of it on the day.
A lot of American actors I work with are in character all day long. You can't talk to them. It's Method and the whole thing.
It's motive alone which gives character to the actions of men.
I'm okay if people don't know who I am, but if you remember my character that would be great.
As a director/writer/producer, all you ever want is to work with actors who make you look better, who make the work you do seem as good as it can be and even better than it is.
I'm an actor. I try to play a character in a really cool story, the very best I can.
