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I like seeing the cameras because it helps visualize how the music people and the movie people teamed up.
I started with California, and I did not like it. I flew over to Seattle, and I did not like it much. I felt like Iowa is the place - I like the people and the environment.
I grew up in Nashville in a white suburb. We lived next to a Klan member. We didn't see hoods, but my dad knew that guy was a Grand Dragon.
In Yiddish, we say, 'Nisht ahin un nisht aher.' It's neither here, it's neither there. I get more nerves than on anything I do when I'm doing multi-camera. But single-camera, I love very much.
Some men are like nails, very easily drawn; others however are more like rivets never drawn at all.
I mean, when it gets down to it I just wanted to play the drums. The rest of it never meant that much to me.
Another thing that really excites me: I'd like to do multiple versions of the same film.
Aw man, I spend it pretty much as fast as I make it. If I want something, I don't wait around and plan or nothing. I just go out and get it.
Growing up, I was very aware that there weren't many people like me on the screen.
