Absurd Behandlung / Treating Diebe / Thieves Hör mal zu / Listen Ihre / Your Jemand / Anyone Mitarbeiter / Collaborator Mögen / Like Musik / Music Publikum / Audience Unsere / Our Unsere Musik / Our Music Wählt / Chooses Wer / Who Wird / Becomes
Anyone who has that weird volition to become an actor probably has a weird volition to do lots of other creative things - to write, to play music, to paint, to cook.
When you start using test audiences, it becomes more scientific than it is about the work itself, and that's boring.
Once your career becomes about something other than the music, then that's what it is. I'll never make that mistake.
I would advise anyone starting out as a singer/songwriter to play live as much possible. You never know who might be in the audience.
This band is a real collaboration, and I'm greatful to anybody who can appreciate our music. It doesn't have to be a certain kind of fan or person or anything. I think there's a little bit of something for everybody on this record.
You need to become a good listener. As you're working, you hear someone else's lines and how you absorb them becomes your acting.
Quickness and momentum. You take the whole last generation of sports, listening to them, even reading about them, watching the games, analyzing them, arguing about them, instant-replaying them, second-guessing them, and all you'll distill from them is quickness and momentum.
Musicals are plays, but the last collaborator is your audience, so you've got to wait 'til the last collaborator comes in before you can complete the collaboration.
Like most of the other teachers, I'd done a bit of teaching and we all think we're great at what we do, but you realize that normally you have an audience who are all onside, who all want to listen.
