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My first experience with the creative was mopping tar. If you let the tar sit, it can get cold pretty quickly. And because the mops are so heavy, you've got to dip it and then ride it really fast.
I feel very lucky because I get to work in so many different areas of fashion.
It's pretty clear to me that working as a director for hire agrees with me. I like it. The films that have come out of that, I personally like better than the ones that didn't.
I learn so much from watching films like that with commentary and then when you get to hear another filmmaker talk about their films it's a really great experience.
Ulrik Ottinger was the most real and experimental of all the German New Wave directors. She was probably the most out-there, too. She's a fascinating artist in that world.
In my first film, Five Corners, I played a very scary, violent crazed character, and it exposed me to a lot of directors.
I really was very impressed with DMX during the whole experience on 'Romeo Must Die.' I like working with him. I liked him. And I was very impressed with the reaction of the audience when he was in the picture.
Wynton and Christopher were really great experiences for me because they are both very gifted artists.
I just want to keep doing things completely different from the other. I just want to keep working with great people, great filmmakers and great actors and just building on that experience.
