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I think my love for rhythm in language comes from repeating the same words, the same sounds, over and over again day after day for so many years.
When I work onstage, I want to play roles that have real, deep theatricality, that aren't the sort you would easily see on television and in the movies.
There's so many people that dislike you all the time, so when somebody loves anything that you do, you go 'Yes! Finally!' Even if it means the dyn-o-mite thing.
I've learned after so many years in this business that nothing is set in stone until you're on set. I've been told I was the choice for years and never got hired. So I never go there in my mind.
I'm not a futurist.
I always believed that I could make it or I would never have spent so many years trying to get here.
Especially when you play a character for so many years, the character ends up reflecting a lot of who you are and I think I've changed a lot since then, but that represented a lot of who I was as a teenager.
I never knew that I'd still be doing this so many years later.
I'm always in search of those books where you don't want to stop reading, and 'Me Before You' is at the top of that list.
