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All good performance pieces have some philosophical validity. That's the difference between mere theater and performance art.
'Billy on the Street' is a persona. It's crafted; it has writers. It's a mixture of performance art and comedy.
A performance art piece is unprecedented. It is difficult to censor since it has a good possibility of never being done before.
I think performance art comes from a simple place of wanting to express things beyond just sound.
Politics with me isn't theater. It's performance art. Sometimes, for its own sake.
Performance art can be produced in a coffee house setting.
Performance art is really more of a command than an invitation.
I went to art school for fine art and then I started doing performance art, and then I started making fun of performance art, and it turned into comedy.
We were doing performance art as far back as 1965, just not calling it that.