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I don't know what really makes a great musical or not. In the end, you write it, and you write it because you want to write it.
I really enjoyed working on 'Dumb & Dumberer' with Cheri Oteri, maybe because we are both into improvisations. We were meant to act together.
The Edge... there is no honest way to explain it because the only people who really know where it is are the ones who have gone over.
I know I have the mental capacity of a thousand bloggers, but because of that, my obligation to serve God is also that of a thousand bloggers.
Most comedies are really hard to write, or to watch, because you kind of generally know what's coming.
The film, even when we were making it in that budget range, which was really a coup - we got it made because we pitched it to the studio head, Joe Roth.
When you're first starting on a project, you feel shy because you don't know very much, and you know that you're going to be ignorant and seem ignorant.
I don't know, you know, when I look at it now, I don't know what in the world made me think I could become a director. I really don't.
I don't think I threw myself into music because I had the best intentions; it was because I was really angry.
