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The man does not beat your head because you got a Cadillac or because you got a Ford; he beats you because you're black!
If you end up growing a character too quickly, you don't have anywhere to go after that point.
You want the audience to be in the character's shoes. The more deeply into the character's shoes the audience is, the more they're going to care about what's going on.
When you got something you gotta do in your career, you do it. When you get home, and there's work to be done, you do that. It's all about balance.
The first pork-barrel bill that crosses my desk, I'm going to veto it and make the authors of those pork-barrel items famous all over America.
When the audition for 'Cats' came up, even though I'd been making pop records, it felt like something I was attracted to.
How often does one get to have a 20-year hiatus of a character and then come back as an adult?
I do build my own backstory as an actor. It's important to know where your characters have come from in order to know where they're going - in order to exist in that state of being.
It was good to learn so early. They're not going to be kind to you. You have to do it and get on, and then gulp down and get better.