Die meisten / Most Filme / Movies Gerade / Just Gleich / Same Gürtel / Belt Hat verloren / Lost Hollywood Lieder / Songs Masse / Mass Mögen / Like Musical Produktion / Production Richtung / Direction Sicher / Sure Wurden / Were
When I started producing, I was just making music under all different names. 'Black Afro.' 'Super Grandmaster.' 'Mister Bull.' Like, the most stupid, idiotic names. 'Afrojack' was one of those idiotic names.
Not only does Hollywood make money - it seems to make better movies during recessions. I'm sure a lot of studio executives wish we could have one every year.
The 'Hey Monday' songs were always glammed up to be this big production, and I definitely want there to be some bells and whistles like synth or drum loops, but for the most part, I want a simple yet powerful production.
The producer should decide what kind of music is being made, what it's going to sound like - all of it: the why, when, and how.
I loved performing in the 'High School Musical' movies - that didn't seem like work - but the gym felt like torture!
I just like to go where the material is, whether that's TV, or movies, or the stage. As long as it's great writing, it's pretty much something I can't resist.
Phillip Harrison was the production designer, though, I think he's uncredited. He's done most of my films like Blue Thunder. Lots and lots over the years.
I've been producing since the early stages of Gym Class Heroes. A lot of the songs on the first 'Papercut Chronicles' were actually beats that I made.
Hollywood, for me, is the studios. It's a way to produce. It's a different way to make movies, and I never took part in that.
