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I think the thing is with a movie that has this much science fiction in it; you need characters who are more science fact, if you know what I mean, than they are human.
There are some sequences in films that I think work filmicly, that stand out to me, but that's much more to do with the staging and the cutting and the mood of the thing as a sequence, the way everything comes together.
I think that truth is stranger than fiction, and it's nice to know the people you're making a movie about.
Latin men love Latin women, it is part of the culture, we celebrate women in a very special way and I think that is present in my work. I do it by making them beautiful, sensual.
Sexism kind of predisposes us to see men's work as more important than women's, and it is a problem, I guess, as writers, we have to change.
I feel that people I trusted - I don't know who, on what level - have let me down, and I think they have behaved disgracefully, and it's for them to pay. And I think, frankly, that I'm the best person to see it through.
We try to do too many things that used to be in the men's domain, and we try to do them like men's. I'm a prude - I guess you can tell that - but I think, 'Why would you do that?'
I think corporations are a whole lot different than people. I mean, I don't know a corporation would be put in prison. I do know people would be put in prison.
I never know why people come up to me. I think a lot of them just get super-excited because they recognize me from TV but they don't remember where.
