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I learn a lot from every director that I work with. I sit on set and watch them, every one.
Through her paintings, she breaks all the taboos of the woman's body and of female sexuality.
I've liked all the directors I've worked with a lot. And the ones I like best are the ones that have really good taste about what take was best.
I don't like actors who try to talk directors into making their part bigger and that's really lame.
I guess maybe directors see a face that seems to have been lived in. I know that my face has been lived in, yeah.
I've run into some S.O.B. directors, but I gave them back as good as I got.
One of the reasons that I do a lot of different kinds of pictures is because I learn a lot when I'm doing them.
Injections are the best thing ever invented for feeding doctors.
Luckily with '24,' for the most part, each moment is so intense, and your objective is all about that moment right then.
