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What's done is done. You've got to move on. I don't want to say anything bad about the mother of my children.
That's the holy grail as a TV writer, to work on a story that you care about and to put it out there and for it to find the audience and connect with fans and connect with critics.
That's the difference between golf and many other sports. You go to some other sporting events, they just leave you or give you the cold shoulder and move on.
How many chances to you get to make a musical about a serial killer? The minute Tim Burton approached me, I was in.
It's terribly important that you can criticise people's ideas without criticising them, and if they burst into tears, it means that you tend to hold back from getting at the absolute truth.
You have to get the audience invested even if you're doing something that they think is dumb, it's kind of what these movies are all about.
I don't think know if anything's going to translate anywhere. You're making a movie, you hope it's going to be funny, you can't think about how it's going to go over.
Movies are visual, aural, they involve people, and life, and ideas and art, they are so elastic. They can hold anything, withstand everything, and make you feel anything. Other arts can do that, but movies are the only ones that can incorporate other media into cinema.
I think that you can't make a movie without a script. But you also can't make movies without actors. You also can't make movies without technicians. And there has to be just one person in charge of everybody, and to me that one person is the director.
