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A lot of my work is about developing relationships with corporate partners such as Jaguar and Diageo.
Dick Clark and I had such a hysterical relationship with each other.
Knots was about the relationships that were built over many years.
It's developing a relationship with actors that makes it work.
It's like our relationship is always about the other side that isn't the obvious side.
To have guilt you've got to earn guilt, but sometimes when you earn it, you don't feel the guilt you ought to have. And that's what The Firebombing is about.
I never thought about the relationship of my mother, my family, to the content of my work.
The biggest obstacle was mixing abortion with overpopulation. These are two things that have nothing to do with each other.
Once you get past 100, it is all about not making a mistake.
