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You might be the leader of the team, but without the rest of the team, you're not doing anything. I think that's the way I look at my job as the lead of a TV show.
You're a smaller fish in the U.S. There's just so many more TV shows, and actors, and actresses. Where as in the U.K. you're in a much smaller market there.
I never know why people come up to me. I think a lot of them just get super-excited because they recognize me from TV but they don't remember where.
I think plays, like books, are endemic. They grow out of the soil of the writer and the place he's writing about. I think, you just can't move them about, you know.
I think you just have to accept the fact that no one lives forever, and eventually things are going to come to an end, whether it's a TV show or life.
I think we're in a time when people are much more interested in a show than where you find it.
Obviously there's a lot more to a TV show than just a book... I think adaptations are a bit tricky for the screenwriters because they're worried about upsetting the author.
You have to have more people who don't look like you in the writers room. I try to have some people who don't look like me in my writers room. I think it's important to have a group of voices, of people who can dissent.
It was really written as most, I think, books are by writers - for themselves. There was something that just had to be written, in a way that it had to be written. If you know what I mean.
