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You're getting everyone's point of view at the same time, which, for me, is the perfect state for a novel: a cubist state, the cubist novel.
From a scientific point of view, we now know that the water is interlaced with the lunar soil in many locations, perhaps as remnants of comet collisions with the lunar surface.
I'm a pretty feminized geek, you know? I have that point of view, I grew up around a lot of girls, so I'm pretty sensitive to that. But I don't dare say 'I know how women think.'
Hemingway is terribly limited. His technique is good for short stories, for people who meet once in a bar very late at night, but do not enter into relations. But not for the novel.
The simple act of telling a woman's story from a woman's point of view is a revolutionary act: it never has been done before.
Like all sciences and all valuations, the psychology of women has hitherto been considered only from the point of view of men.
The short story is an imploding universe. It has all the boil of energy inside it. A novel has shrapnel going all over the place. You can have a mistake in a novel. A short story has to be perfect.
Many of my short stories (all unpublished) were horror, and the novel I'd just finished was horror, too.
The best love stories on film are rooted in the point of view of the more woundable, vulnerable party, the more amorous party.
