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Good directors say, Here's where the play is. They stand by the heart of the matter. Some of them stand beside it.
I've had to fight for roles and I've lost a hundred roles, but 'Smoking' and 'Smith' were phone calls. That's the dream.
I always played around with writing songs, but when you're spending a lot of time in bars, you have a lot of big ideas, but you don't do much with them.
As a guitar player, it's harder for me to impress somebody than it is to write a song that they like.
I'm not a director who feels I should be in your face all the time. I really want you to watch the actors and listen to the play.
I've been lucky enough to work with some of the best TV directors there are, and I've learned from how they had to handle when things don't go quite according to plan.
I don't want to be 45 years old and have been a hot actor when I was 33 and have people going, 'Whatever happened to Fishburne?'
The manuals we got from IBM would show examples of programs and I knew I could do a heck of a lot better than that. So I thought I might have some talent.
I watched a lot of Douglas Fairbanks movies. He always played the same role with a mustache. Zorro had a mustache. The Musketeer had a mustache. Tarzan had a mustache.