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Successful fiction does not need to be validated by 'real life'; I cringe whenever a writer is asked how much of a novel is 'real'.
I think success right now is not about how famous you are or how much you're getting paid, but it's more about if you're steadily working and you're happy with what you're doing.
It's unbelievable how much you don't know about the game you've been playing all your life.
I didn't have a childhood, really, because I worked my whole life and... other reasons. So when I had some success, I went ballistic. That was my childhood, and the party kept going on.
I enjoy playing someone who doesn't show up and say, 'This is what I am, and this is what I'm about,' but is someone who, four hours in, makes you go, 'Really? Is that what's going on?'
It takes a real storm in the average person's life to make him realize how much worrying he has done over the squalls.
Having been a cameraman, I think about, 'Well, if this was real, how would this be shot?' I try to inject as much realism as much as possible.
Sometimes I just rely on technique on stage, but it's not about technique. It's about how much you want to deliver the message to the audience. That's all.
If you're getting ready to do a really emotional scene then, right before it, you're probably not going to be outside playing basketball.