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All the truly great stand-ups say, 'I go onstage, and I work on jokes. The inspiration will happen while I'm doing my work.' To me, in the end, the surest thing is work.
I think the quickest way to get me to do something is really, 'You can't do that.' And I'm like, 'OK, I will make that happen.'
I was kind of a selfish child, who always wanted things his way, and I've kind of taken that over into my relationship with the world.
Writing a screenplay needs to be more than words on a page - and by the way, I think the words on the page are something you have to try to execute on the highest level you can; I'm not dismissing that by any regard.
No matter who you are, or what you're doing, there's always going to be someone that wants to be better than you. So I try to take the high road and be the bigger person. That way, you always win in the end!
Regardless of what level the actor's at, you always learn something. And you can learn something from bad actors as well, who I've also worked with in the past.
I want to have some effect on the way the world works in whatever way I can, and I also want to have the power to help get the movies that I think are important made.
In the end, a gun is an instrument to make someone surrender to your will or die, and music is exactly the opposite - it's seductive and invitational.
At Nokia, we have an internal market for ideas. There could be someone in Nokia who wants research, and they will come to us.