Anbetung / Worship Ansatz / Approach Charakter / Character Einmal / Once Etwas / Something Gehen / Going Kirchen / Churches Machen / Make Setzt / Places Sicherheit / Safety Start / Begin Unsere / Our Verlieren / Lose Zone
When I'm writing, I'm creating the story and its character with words. I'm thinking about what the pictures will be like, but I never begin to sketch. The pictures are all in my head.
Actors pull from their own experiences to bring reality to the characters. I wouldn't want to play someone who's a lot like me. There would be no turning it on or off.
A vision is not just a picture of what could be; it is an appeal to our better selves, a call to become something more.
Once you become a producer, you're really selling something. It is a control issue, because you don't really know how it's going to pan out, but the creative control makes it work it.
Character is made of duty and love and sympathy, and, above all, of living and working for others.
It was nice, though, to have the long term benefit to be able to pare away those things and eventually make the character my own and put my own unique stamp.
The ideal way to approach a character is to find something in yourself that relates in some way.
I would quite like to do a different accent or play something so different from myself because Olivia, the character I play in this film, is similar to me.
The moment comes when a character does or says something you hadn't thought about. At that moment he's alive and you leave it to him.
