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Write dialogue that supports the situation and the characters, as you find them.
When you're filming, it's very different from what you see on screen.
To give a character life in a short space of time, it helps if you arrive on screen with a past.
In words are seen the state of mind and character and disposition of the speaker.
You hear the word 'cancer,' it scares you. You think of death.
If I showed you scripts from my first few movies, the descriptions of my characters all said 'the ugly girl'.
I don't think that the feminist movement has done much for the characters of women.
The first draft is usually junk. You have to work on it seven to eight times.
With 'Apollo 13,' I wasn't sure the genre would work, because space films hadn't done that well.
