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I'm a sport fan. So, I have always watched everything, and I used to watch racing. Formula One was always on. The genius about it is that it's on at lunchtime on a Sunday.
I've been all around the world, and there will be a thousand kids crying out your name, and it's such a weird, visceral experience. It's like, it's disorienting.
I don't watch a lot of T.V., and I hardly ever have time to keep up with series, though I do love reruns of old favorites from my childhood like 'Dr. Who', 'The Goodies', and 'Get Smart.'
Our show was - it remained - you know, kids could watch it and laugh at it. And they wouldn't know - they wouldn't get the jokes. But they would laugh at it. So they tell me now they have grown up and they're watching it. Now they get the jokes. But we didn't say anything blatant.
In every song, there is a vocal element that doesn't have any words. I wanted to play around with how emotive and expressive my voice could be.
We thought about it, what we want to tell, and I didn't want to move it directly into the Nazi times. I thought it's much more interesting to see how BloodRayne became BloodRayne.
Imagine if you could go watch Mozart today, even if it's the last, crappiest show he ever played. What a thrill that would be.
I didn't 'decide' to write YA, per se. But every time I thought of a story, it featured characters 15, 16, 17.
I had felt for a long time that, if I was ever told to get up so a white person could sit, that I would refuse to do so.
