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I think a young woman's relationship with her father is really important.
You know, I think when you coach or you manage, you make decisions, and there's some that are really, really tough.
I think that you really don't have a choice, when you see that things are wrong the only choice you really have is to just do what you can to make it better.
I think I just say what I'm thinking. And - you know, if people relate to it, they relate to it, but - I really - you know, if you really listen to me, I don't have my finger on any pulse.
I think if you're forthright and answer a lot of questions, sometimes you'll get people who won't let you answer the questions, and that makes for a difficult answer.
One of the reasons I loved working with Tom is people feel they know who he is... I think working with an actor who the audience already has a relationship with actually helps you in a film like this.
I think that you don't really want to write a book that doesn't really move people and doesn't get them to think.
I think people have been really receptive to understanding that I've grown up and the music's going to sound a little different.
Religion, you know, enters very deep; in reality it is the deepest impression I have in speaking to people, that they are or that they are not of my religion.
