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For me, the French new wave is Truffaut and Rohmer. Godard I sometimes have trouble with because he's very much of a director's director. I feel Truffaut is such a humanist, and I always go in that direction.
I have strengths, and I have weaknesses. I don't pretend to be able to write a great thesis or doctorate - I have no pretensions in that direction.
I'm not good at making plans, because I never have been. I never do things with an idea of where they may wind up.
I always get the 'goth girl' thing because I wear black. But I don't worship death.
Besides the two Christmas things, we've got a about a dozen new tracks we're working on.
In dream consciousness... we make things happen by wishing them, because we are not only the observer of what we experience but also the creator.
I don't think it's necessary to be an actor to get great performances out of an actor. But I do think it helps me as a director because I know what I like as an actor, and I try to get that to the actors who I'm working with.
An actor gets to take a nap, but the director is working hard from dawn till midnight. I'm kind of lazy.
I'm nearsighted, in part, because I would read past my bedtime in the dark. I didn't want my mom to see that I was still awake.