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I don't know that anybody has walked up to me in the street or in a store or in the grocery and said to me, 'I hope you bomb Assad.' Certainly plenty have said, 'No; thumbs down, thumbs down, thumbs down.'
Some of the joy in acting is switching it up: being able to do something that's different than what you've been doing.
You see another side of Draco when he's with his dad. When Draco is with his dad, he doesn't say anything. He keeps his mouth shut. He's sort of bullied by his dad, so he acts very different.
With any story I write, I could actually write it from three or four different perspectives, which would end with a completely different moral at the end.
I actually didn't really start to get into the research of film until I was much older. I decided I wanted to direct a lot earlier than I started to do the research, which is really strange, but it is the case.
The essence of creativity is to look beyond where you can actually see. I don't want to dwell in same place too long.
Chi Chi Rodriguez had as good a pair of hands as anybody I ever saw, and more shots than you can imagine. But Chi Chi had a habit of turning simple shots into difficult ones.
My dad never blew anything up, but he probably had friends who did. He and my mom have always preached that the pen is mightier than a Molotov cocktail.
All he wants to do is practice and that's all he does, all day long. That's what it takes if you want to change the face of music. You've gotta be committed to it.
