Zitat des Tages von Thomas Kinkade:
I'm a warrior for light.
I grew up in a broken home. My dad was out of the home when I was five years old. I never knew him very well.
My brother and I always had jobs and worked from a young age.
People who put my paintings on their walls are putting their values on their walls: faith, family, home, a simpler way of living, the beauty of nature, quiet, tranquillity, peace, joy, hope. They beckon you into this world that provides an alternative to your nightly news broadcast.
The concept that an artist would be revered by popular culture is an immediate dismissal of his relevance as an artist.
I think the art world... is a very small pond, and it's a very inbred pond. They rely on information from an elect elite sect of galleries, primarily in New York.
The worlds I paint leave a lot to engage the imagination by hinting at what lies beyond the four edges of the painting. I think getting beyond the four edges of an opportunity or challenge is one of the basic skills you need in business.
I try to embrace people with love, unconditional love, like Christ did.
It is easy to have a lot of paintings or projects hanging around that are 'almost done.'
People are reminded that it's not all ugliness in the world.
Balance, peace, and joy are the fruit of a successful life. It starts with recognizing your talents and finding ways to serve others by using them.
With whatever talent and resources I have, I'm trying to bring light to penetrate the darkness many people feel.
I view art as an inspirational tool.
My paintings always feature trails that dissolve into mysterious areas, patches of light that lead the eye around corners, pathways, open gates, etc.
I remember my mom had a big collection of copies of Saturday Evening Post magazines, and that was really my introduction to those great illustrators.
I was always the kid who could draw. I had this talent, and it was the one thing that gave me some kind of dignity in the midst of my personal environment.
I share something in common with Norman Rockwell and, for that matter, with Walt Disney, in that I really like to make people happy.
A still image attracts the viewer with an overall impact, then reveals smaller details upon further study.
Rather than set aside daily time for prayer, I pray constantly and spontaneously about everything I encounter on a daily basis. When someone shares something with me, I'll often simply say, 'let's pray about this right now.'
I'm working on a snow scene right now, and it's summer. It's hot, and I will get chilly. I'll have to turn on the heat. My wife walks in, and it's 95 degrees in the studio. I know it's nutty, but it's a projection you have where you step into the painting.
When I got saved, God became my art agent.
What I paint touches on foundational life values. Home, family, peacefulness. And one of the messages I try to constantly get across is, 'Slow it down and enjoy every moment.'
I began my career creating art for an animated feature film, and it has been a life-long dream to tell some of the story of my own life - the story behind my art - through the medium of motion pictures.
High culture is paranoid about sentiment. But human beings are intensely sentimental.
Art is forever.
The No. 1 quote critics give me is, 'Thom, your work is irrelevant.' Now, that's a fascinating, fascinating comment. Yes, irrelevant to the little subculture, this microculture, of modern art. But here's the point: My art is relevant because it's relevant to 10 million people. That makes me the most relevant artist in this culture.
I've never been at odds with the world of contemporary artists. If there is any animosity, it's one-sided.