Zitat des Tages von Thomas Gibson:
I've always said that 'Dharma and Greg' is 'Romeo and Juliet' meets 'The Odd Couple.'
I never was able to be a Lakers fan - I'm more of a Spurs fan.
I was raised as a real worker: you know, you get out and get a real job.
Sitcoms are more like stage drama than anything else on film - more than a one-hour and certainly more than a movie. You get a script on Monday. You rehearse all week. And on Friday, you're on.
When I'm home, I've got the kind of time that other dads who live there full time don't have. I can go and have lunch with my kids at school and that sort of thing.
People's imaginations are sort of there for the taking, I guess. If you tell the story right, you're going to hook them.
I work out religiously. It's great for my back. It's great for my core. I've been exposed to lots of exercise regimens and movement classes as an actor, so I understand the importance of stretching and staying limber, but Pilates is what's really spoken to me. It works everything out.
People always mention that they'd love to see me in a comedy again. Maybe it's time - laughter being the best medicine.
My two boys have each done a play. They've done school plays as well, but one of them did a local production of 'Waiting For Godot,' and he played the boy.
I know there's a CSI game. I've never seen it, though, so I'm not really sure. I hope it's interesting. I hope that they've done a good job making it, but because I've never seen it, the jury is still out on whether it's interesting or not. But it is funny to imagine that it's been turned into a game.
I remember driving home from a movie - it wasn't 'Halloween' but another one, maybe the original 'Omen' - and I dropped my friends off, and it was also broad daylight, and yet I was sure that, like, Damien was in the backseat or something like that.
I still want to find some place to play 'Hamlet,' and if 'Far and Away' helps me do that, that would be nice.
I've tried my very best to keep all the balls in the air and be home.
Single-camera is more relentless because it's eight 14-hour days no matter how you slice it.
In a way, as an actor, you do all the preparation and then you want to forget it and just play the scene. As a director, you can't forget it because somebody will remind you that you forgot something. But you can know your plan well enough that you still have a certain amount of freedom.
I grew up across the marsh from The Citadel.
I joke that, 'Give us forty-two minutes, and we'll get your bad guy for you.'
I've had probably way too many acting classes, and you try to sort of shed - I think over a period of time, you'll shed what doesn't stick with you, and you'll hang onto those things that do.
Charleston has something for everyone, rain or shine. Its architecture is unparalleled. Carriage rides are great for seeing the city and hearing the history behind certain houses and the area.
When expectations are really high, you're doomed.
I look forward to working with Ken Olin, whose work as an actor and director I have always admired.
There is a fine line between something that's gratuitous, that's unnecessary.
I don't really believe in closure. That's something that writers talk about or people wished that they had.
Hollywood is a strange place.
Charleston is an amazing place. I probably didn't appreciate it enough when I was growing up.
One of the things that I'd like to get back to that I did as a younger actor was to work on, you know, a rep season for a summer where you did two or three Shakespeares, and you'd do a couple of either new plays or classic plays, and you did a different one almost every night.