Zitat des Tages von Sarah Jones:
I think there is a debate in the arts about, you know, whether we must strive for art for art's sake, and you know, kind of try to keep political debate out of our work. And to that I say, I'd like you to show me an example of, you know, this so-called apolitical art. I don't think there's any such thing.
The Master of Ceremonies in 'Bridge and Tunnel' is a wonderful man, if I do say so myself. I talk about all the characters in the third person. But, he is a really congenial... just a good stand-up guy, who happens to be Pakistani-American. He's been here for years.
I come from a multicultural family.
I remember being influenced by great artists when I was a kid - not to call myself a great artist - but people who I thought were great enough that they really made a difference. And so I would never want to be disappointed by them, and I want to make sure I never disappoint audience.
I'm practicing a kind of meandering faith, or faithful meandering. I just trust that something is coming. I don't know what it is. But I've been a straphanger all my life; I know what it's like to not know when the next train is coming, but I trust the subway.
I've actually always started with what feels most natural. Which is, the people who surround me in my daily life. So, the first show I ever wrote, which is called 'Surface Transit,' was based in part on people I knew from my family. Co-workers, ex-boyfriends. All of that kind of thing.
I definitely think the fact that I come from a multicultural background, my mother living life in a white skin and having white skin privilege from the time I was little, I was aware of that.
