Zitat des Tages von Mal Peet:
Normally, I'm a grumpy old man - whenever I read about celebrity, I start to grind my teeth and pull my hair; it seems synonymous with idiocy.
Bootworks' Black Box Theatre has a maximum seating capacity of two - as long as one of you is happy to sit on the other's lap.
I have kind of a personality defect in that I find the word 'no' hard to articulate.
I don't really see any barrier between teenage fiction and adult literature.
History is the heavy traffic that prevents us from crossing the road. We wait, more or less patiently, for it to pause, so that we can get to the liquor store or the laundromat or the burger bar.
I was taking my first uncertain steps towards writing for children when my own were young. Reading aloud to them taught me a great deal when I had a great deal to learn. It taught me elementary things about rhythm and pace, the necessary musicality of text.
It was weird - writing is a stupid thing to do. I come up here in the morning to a pleasant room in the roof of my house and imagine I'm a black South American football superstar; then I have to imagine I'm a female pop celebrity who's pregnant. It's a completely mad way to spend your time.
'Keeper' is about fathers, ultimately. and also conservation, commitment and ambition.
Although I write to entertain, and try to keep my work free of didacticism, I do have a rather passionate belief in our need to be connected to - and to learn from - history.
I find myself, by happy accident, writing 'Young Adult' fiction. However, I dislike such categories.
I used to play all the time. I would play football when it was light and read when it was dark.
I'm working with published authors and some very young undergraduates and lots of people in between. They are lovely people, and they can write.
I didn't consciously make the decision to write an adult novel. I didn't think of it as my riposte to the YA genre.
After being rejected for years, I found a publisher for 'Keeper,' and it won prizes, and then I had to write a second and a third book because I kept taking the money and spending it.
I usually have about four books on the go - a bedside book, a lavatory book, a downstairs book, and the book in my study that I read sneakily while I should be writing. Short stories for the lavatory, obviously.
I never knew that Americans would take up soccer, and it's a gender-free sport in high school there.
Everyone who sits on a sofa watching 'Match of the Day' is a top soccer expert, as you know. So if you start to worry about such people reading your story and saying, 'That'd never happen' you're going to freeze up. You're writing fiction, and your characters can do whatever you need them to do.
Although I now spend most of my time writing novels for teenagers and adults, 'readaloudability' is still a criterion I try to adhere to.
I want to entertain, but I also want to push the barriers beyond what kids are conditioned into accepting.
Fundamentalism - of any variety - is a form of illiteracy, in that it asserts that it is necessary to read only one book.
I was a bit odd. I read books and wanted to draw and go to art school.
'Smart', in American usage, is slicker and sharper than 'intelligent'; faster off the mark and quicker on its feet than deep thought.