Zitat des Tages von David Steinberg:
We were the guys on the other side. It was hilarious.
I rewrote it and I took all your notes. Read it again, that kind of persistence paid off.
Your relationship with an agent has got to be mutually beneficial. If you can't help their careers, then they're not going to be interested.
The whole idea of doing the Hollywood thing never even occurred to me. When you grow up on the East coast, Hollywood seems like this fantasy land and you don't think that people can actually make a living there.
Being a lawyer in New York sucks because you're working eighty, sometimes a hundred hours a week.
Great Canadian comics are often outsiders and insiders at the same time. That's a great perspective for a comedian.
And it was a huge emotional thing to leave the law and become unemployed - to be a student again.
The one thing an audience always has in common with a comedian is troubles. The Yiddish word for that is tsuris. You're always putting your tsuris on stage whether you like it or not. No one is untroubled, unless they're just, you know, an imbecile.
I started writing this feature comedy in New York - a Chris Farley vehicle. The script was decent. When I got to LA, I met some new friends in film school and had them read my script and give me notes.
The thing about stand-ups is you can't really get good unless you're failing in front of a large number of people. That makes stand-up comedy unique: you need a tremendous amount of reserve within you to take the rejection from the audience, and without it, you can't do anything.
I used to have a theory actually that, if you've had a good childhood, a good marriage and a little bit of money in the bank, you're going to make a lousy comedian.
You don't need to be stable to be a stand-up comedian.
The odd thing about comedy is that the more personal you are, the larger the audience.
When I talk to Steve Martin, he's joyful when he talks about comedy.
My influences were Woody Allen and Lenny Bruce.
Here's the rule that I set for myself, and I believe it - even on a show like 'Curb Your Enthusiasm': the more personal you are, the wider your audience.
The interesting thing about improvisation is you're making something up in front of the audience. Now music helps you out a little bit because you have an instrument that'll separate you from the audience.