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I think good art happens on that edge between comfortable and in a lot of pain, you know what I mean?
I think a lot of theater actors that were great, like Walken or Glenn Close, later became film actors.
I don't think of myself as funny. I think of myself as rather grave, actually. And I'm suspicious of fun. I never quite know what that is or how to deal with it or how to generate it. That's my fault. I know it's a burden on the people I'm with. It's tiresome.
Actually, I think my hands are in the best shape they've ever been in terms of what I can do.
I can watch a film, even a film that I've been in, and think, 'I'm not sure, 100 percent, what I think about it.' I'm not sure what I think about what I've done in it.
I think it's good that I get scared because, if you never get scared, you don't have any need for guts.
I guess I have a fascination with the idea of puppeteering. I think, in a lot of ways, directing is puppeteering. I guess I see a lot of analogies between what puppeteers and filmmakers do.
I'm actually not a big fan of the word hope. I think it's a depressing word. I don't want to hope - I want to know. Like I don't hope there's a God, I know there's a God.
I think people believe that I give an aura of someone who has both feet on the ground.